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Artist Statement
I have always been proud of the richness of my hereditary culture, and I incorporate those qualities in my work. Much of my work features Middle Eastern and Mediterranean design motifs. In my older work, the designs were meticulously rendered, symbolizing the beauty of my ancestral culture and also that culture's stiffness and conformity. In my newer work, the motifs are still present, but rendered in a looser, more abstract form, representing my personal and artistic freedom from the rules and expectations that permeate the Middle East.
My passionate pursuit of personal truth and my often-controversial artistic focus on justice, equality, and freedom stems from my childhood in Syria and my adult struggle as a gay man coming to terms with a devoutly Christian upbringing. The conflict between self-realization and socio-religious restrictions exists in all my work, from my initial series that examines the plight of Middle Eastern women living behind veil, to my American Landscape series that explores the inequalities experienced by gays in America, to my current project which invites Christians, Jews, and Muslims alike to come together in a cooperative creative reflection about 9/11.
I often use vivid colors as a constant reminder of the beauty that surrounds us, not only what we see with our eyes but what we feel with our heart, mind and soul. One of my favorite techniques is to take a color that represents a specific emotion and use that color to a contradictory effect. I want the art to evoke questions in the viewer's mind, but also to offer hope, the light at the end of the tunnel, if you will.
I typically work in a series, and while the subjects and sometimes the style of those series may differ, there is continuity in the bold colors, textures, patterns and composition that define my work. Combining or recombining these elements in new ways keeps my creativity flowing and my paintings fresh. |
Biography: Nabil Mousa
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